(With pics) Secret images ‘discovered’ in da Vinci’s “The Last Supper”
七月 28, 2007
Sounding like something straight out of Dan Brown's fictional best-seller, The Da Vinci Code, an Italian computer analyst claims to have discovered secret images inside Leonardo da Vinci’s masterpiece, "The Last Supper."
Pesci Slavisa said the image can only be seen in a certain light and that he had to use his computer skills to reveal it.
He claims to have discovered the "hidden" images by superimposing a reverse image on the original image.
In the superimposed version, a figure on Christ's left appears to be cradling a baby in its arms, Pesci said, but he made no suggestion this could be Christ's child.
An enlarged version of that part of the image is shown below. Is that supposed to be Mary Magdalene with an infant, presumably hers and Jesus Christ's?
Photo Credit: Alberto Pella, AP
Judas, whose imminent betrayal of Christ is the force breaking the right-hand line of the original fresco, appears in an empty space on the left in the reverse image version.
Pesci also suggests that the superimposed version shows a goblet before Christ and illustrates when Christ blessed bread and wine at a supper with his disciples for the first Eucharist.
Pesci added that there appears two figures on either end of the long table that look like knights, as in the Knight Templars.
Websites related to the theory (www.leonardodavinci.tv, www.codicedavinci.tv, www.cenacolo.biz and www.leonardo2007.com) crashed after registering 15 million hits on Thursday morning alone, as netizens flocked to the sites to read "The Last Supper" theory.
Administrators of the sites said they are currently preparing more powerful servers in order to accommodate the surge in traffic.
七月 29th, 2007 at %I:%M%p
nice post. very revealing.
七月 31st, 2007 at %I:%M%p
The DaVinci project has been under way since 2005 with hundreds of “Pictures within Pictures.â€. We are in the process of building a comprehensive documentary presenting these extraordinary findings.
Leonardo da Vinci, ” Pictures Within Pictures ”
Outside the box, outside the frame
An intimate and divine truth hidden for centuries at last unveiled in the Mona Lisa, and yes, in other of Leonardo’s works including his first recorded drawing, the Landscape of the Arno Valley and his masterpiece, The Virgin and Child with St. Anne and the infant St. John the Baptist, “the last supper†and others as well.
Anew never before recognized perspective hidden for five hundred years in plain sight, Emerges! Leonardo’s message, Pictures Within Picturthes outside the box, outside the frame,, initially discovered and documented in 2005 by Michael Domoretsky of Ipswich Massachusetts.
Five hundred years after Leonardo’s lifetime, his genius and message come to light in mirrors and optical illusions. His ” secret code†have been hidden in plain sight to be deciphered outside the original borders of the painting using a ” perpendicular reverse mirror image process.” Leonardo, (actually Lionardo ) was a man of formidable intellect, talent, craft and most importantly a man of curiosity who observed ” truth ” in the world in all its forms…Physical, Philosophical, and Religious. He was hundreds of years ahead of his time, constrained by the religious tenets and politics of his day. As a result he was unable to express reality, as he perceived it, and so devised a means by which to conceal his truths from all those whom he did not want to understand them for fear of persecution. Being a man of science and art as well as one of the most inventive men of all time, he appears to have imbued his art with multiple levels of meaning; at one level beautiful works of art…On a second and un-deciphered level, until Michael W. Domoretsky discovered the images and processes invented by Leonardo da Vinci, in 2005, appears to challenge the dogma of his day and pass on his beliefs, observations and truths using a process that only one who perceived the world outside the accepted realm, a scientist or mathematician might discover.
The more in-dept and familiar one becomes with Leonardo the man, the more these unique finds make sense. Unlike other artist that are painters first, painting what they see or the impression of what they see, Leonardo appears to have been a scientist and inventor first, then artist, using his sharp powers of observation and reason to create both timeless works of art and as yet not fully deciphered messages for those not limited by traditional thinking.
The more carefully his words, deeds, apparent opinions and interest are studied,
the more credence can be given to his seeking to preserve his thoughts and observations by unorthodox means.
Leonardo left clues… He was credited with having said; the eye, ” Who would believe that so small a space could contain the images of all the universe.” Leonardo believed that the perception by the eye; light, dark, shadow, and perspective held the secrets of the world. Hence, when you include Leonardo’s life long fascination with mirrors and writing backward it appears likely that he would choose to use constructs and concepts familiar and unique to him to transmit and yet hide from a restrictive and turbulent society, his most treasured messages.
For hundreds of years scholars have continued to study Leonardo’s priceless works of art using the most cutting edge technologies available. In recent times millions of dollars have been allocated to perform all types of scientific studies seeking to determine if Leonardo hid anything underneath his finished works…all within the frame of his artworks. The plain and obvious truth is that he did hide things… however Leonardo was forced to work within the limitations and utilized the technologies of his day. His meanings are in plain sight but only for those able to think outside the box and frame. All of the writings and documents relating to Leonardo, point to his being deliberate and patient in everything he did, both in his creations and his art; so it would appear all but inconceivable that in his major and personally treasured works, that every detail would have been a deliberate act of thought, and not an inadvertent inclusion. A minor anomaly in a masterpiece might happen, though unlikely in multiple of masterpieces by such a perfectionist. Clearly recognizable, perfectly formed symmetrical symbols on both sides of his best masterpieces, utilizing mirrors, a technique Leonardo was well know to have used, make it being anything but intentional, all but impossible. You be the judge.
We welcome comments by all interested parties and will post appropriate comments.
All rights reserved, no unauthorized copying or republishing without express written permission by owner.
Copyright; Michael W. Domoretsky / http://www.lionardofromvinci.com / 2005~2007~
Da Vinci and the Secret of the Mona Lisa, article by: ThothWeb, http://www.thothweb.com/article-4011–0-0.html
The da Vinci Project
Managing Director: Michael W. Domoretsky Director: M. Graham Noll
八月 1st, 2007 at %I:%M%p
I really do not understand how this painting, which was only painted 500 years age, or 1500 years after Christ, is considered authoritive above the Bible??? There are many skeptics out there that do not believe Leonardo intentionaly did this, but even if it did, he did not time travel. If he believed Jesus was married and had a kid, that was his opinion? In fact, we now have more knowledge and biblical manuscripts and autographs (thousands more) than the scholars in 1610, the year the King James Bible was published!
八月 5th, 2007 at %I:%M%p
August 4th, 2007 / 12:15 pm, My feelings and thoughts towards the article written on Pesci Slavisa in reference to the finds of Secret image found within the Last Supper Supper.
The da Vinci Project
Pesci Slavisa has indeed found one of the many of Leonardo da Vinci’s “Pictures Within Pictures, outside the box, outside the frameâ€, “or did heâ€? Leonardo da Vinci’s perpendicular reverse mirror image process and the optical illusion, researched, discovered and documented in “2005,†in his various paintings, originally by Mr. Michael W. Domoretsky. Unlike that of Slavism’s, it take’s a much different approach to the masters works, a more outside the box, outside the frame view and perspective.
For hundred of years scholars have continued to study Leonardo’s priceless works of art using the most cutting edge technologies available, in recent times millions of dollars have been allocated to perform all types of scientific studies seeking to determine if da Vinci hid anything underneath his finished works, all within the frames of his artworks. The plain and obvious truth is that Leonardo worked within the limitations and utilized the technologies of his day. His meanings are in plain sight only for those, able to think outside the box, outside the frame. All of the writings and documents relating to Leonardo point to his being deliberate and patient in everything he did, both in his creations and his art; so it would appear all but inconceivable that in his major and personally treasured works, that every detail would have been a \\\”deliberate\\\” act of thought, and not an \\\”inadvertent” inclusion. A minor anomaly in a masterpiece might happen, through unlikely in works by dozens of clearly recognizable, perfectly formed symmetrical symbols on both sides of his best masterpieces, utilizing mirrors, a technique Leonardo was well known to have used, make it being anything but intentional, all but impossible. You be the judge.
Many of the findings of Leonardo’s never before seen pictures are so subtle as to by controversial and open to interpretation and disagreement, however many of the findings would appear to be quite self-evident and clearly recognizable by the great majority of those viewing them for the first time. The sheer number of these clearly recognizable symbols makes it appear all but impossible for them to be accidental or coincidental in nature. Leonardo da Vinci states his case both for deliberate creation and hidden meaning within his art, in both his written texts and by his known predilections.†Make your work carry out your purpose and meaning. That is when you draw a figure consider well who it is and what you wish it to be doing.†â€Leonardo da Vinci†As usual, as is our experience, repeated time and time again, renowned art critics and professed art experts, such as Vittorio Scarbi and many others, base their opinions on accepted art world and art education precepts looking at daVinci’s works as artists not scientists or inventor. We on the other hand think you will be quite intrigued and fascinated with the reverse perpendicular mirror image process and the bending of light / optical illusion, that Leonardo was quite familiar with invented, and more likely as we have discovered, practiced in perfecting this process within his masterpieces.
As always it is difficult to persuade experts professing established thought in any field to consider new, alternate or previously UN accepted ideas. But then the experts thought the world was flat for centuries. Links to the processes discovered.
We welcome comments by interested parties and will post appropriate.
http://www.lionardofromvinci.com/Mona.html
http://www.lionardofromvinci.com/Mona.html
http://www.lionardofromvinci.com/contact.html
The da Vinci Project
Managing Director, Michael W. Domoretsky
Director: M. Graham Noll
一月 12th, 2008 at %I:%M%p
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Gloucester: Michael Domoretsky, left, of Ipswich and Graham Noll of Groveland from the da Vinci Project research Group put on a public showing of “Hidden Secrets in Leonardo da Vinci’s Artworks” at Gloucester’s Masonic Hall Tuesday night. Wednesday, January 09, 2008
Mary Muckenhoupt / Mary Muckenhoupt/Gloucester Daily Times
Gloucester, Mass.: Michael Domoretsky and Graham Noll gave a presentation on their findings of hidden images in the work of Leonardo da Vinci at their first public presentation of their work with Domoretsky’s The da Vinci Project Research Group. Here Domoretsky explained how perpendicular mirror imaging, which he read from Da Vinci’s own notes, revealed various symbols when put together.
Handout / Gloucester Daily Times
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Published January 09, 2008 11:01 pm
Cracking the real da Vinci code: Hidden in plain sight
By Gail McCarthy
GLOUCESTER DAILY TIMES (GLOUCESTER, Mass.)
GLOUCESTER, Mass. —
Michael Domoretsky has spent the past four years studying the works of Leonardo da Vinci to uncover the secrets of the original Renaissance man.
Now he’s sharing those secrets with the world.
What Domoretsky has found, he says, is a “legacy of hidden messages†carefully concealed in some of the world’s most famous paintings and decipherable only to those who know how to read them.
Domoretsky, an Ipswich resident, gave his first public presentation on his research before a roomful of North Shore Masons at their lodge on Eastern Avenue in Gloucester on Tuesday night.
The venue was appropriate because Domoretsky believes the 15th century artist was a Mason who incorporated Masonic symbols, like the compass and square, into his works.
“The best place to hide something is in plain sight,†said Domoretsky, who is a Mason himself and works with stone as a self-employed installer of marble and granite countertops.
Domoretsky has had a lifelong interest in da Vinci. But his obsession with the master’s secrets was kindled when he came across an image of the “Mona Lisa†on a Web site about the movie “The Da Vinci Code.â€
He’s quick to add, however, that he didn’t see the movie until long after he began his research, has never read the book and his work has no connection to the ideas presented by “Code†author Dan Brown.
Domoretsky said da Vinci was a master of optical illusion who created pictures within pictures within pictures — many of them designed to be visible only with the use of mirrors.
In the darkened hall, Domoretsky projected images of two paintings, “Mona Lisa†and “The Virgin and Child with St. Anne and the Infant Saint John the Baptist,†as they appear when mirrors are positioned to the right and left of the original artwork.
The resulting twinned images reveal hidden faces and objects and forms that include several chalices and what Domoretsky sees as a high priest of the Knights Templar, a Templar shield and cross and a sarcophagus.
The Knights Templar came into existence after the First Crusade of 1096 to protect European pilgrims en route to sacred sites in Jerusalem. The order was suppressed about 200 years later but, some believe, went underground and survived as a secret society.
Domoretsky believes da Vinci was “heavily involved in Freemasonry and the Knights Templar.â€
Graham Noll of Groveland, who is part of Domoretsky’s da Vinci Project Research Group and assisted at Tuesday’s presentation, said the messages that the artist embedded in his work were intended for other initiates of the secret societies in which da Vinci was involved.
“The membership of craft and professional associations were given knowledge and ritual to protect, and da Vinci was obliged to pass on the information,†Noll said.
Domoretsky said to his knowledge, he is the first to use the mirror imaging to study Da Vinci’s work.
Scholars are skeptical of his findings — one critic, for example, questions why da Vinci would conceal the word “Mary†in the folds of the Mona Lisa’s clothing when the Italian for Mary is “Maria.â€
“Anyone who claims to find something new is dismissed by the experts,†Domoretsky said. “We are misrepresented because some people don’t like what we say.â€
Domoretsky remains undaunted and continues his research to decode da Vinci’s secrets and the meaning of messages he encrypted in his paintings. He plans to hit the road with the show he presented in Gloucester.
Domoretsky, who also plans a book, has previously detailed some of his findings on his Web site, http://www.lionardofromvinci.com. (He believes the artist’s real first name was Lionardo, not Leonardo.)
Dana Andrus, master of the Tyrian-Ashler-Acacia Masonic Lodge in Gloucester, said Masons he talked with after the presentation were intrigued by Domoretsky’s work.
“I think he is somewhat of a visionary,†Andrus said. “He used da Vinci’s own insight to look at the paintings. That’s someone who has taken a great deal of time and thought, and not listened to the conventional wisdom, and come up with a new idea on how to approach something.â€
Gail McCarthy writes for the Gloucester Daily Times of Gloucester, Mass. E-mail her at gmcarthy@ecnnews.com
一月 24th, 2008 at %I:%M%p
Anaxagoras wrote about it,Leonardo practiced it and Now Domoretsky Discovered it:
Anaxagoras writes: Everything proceeds from everything, and everything becomes everything, and everything can be turned into everything else…
Surely Domoretsky has discovered a greatness that Leonardo left for all of us to joy in!
I suggest that anyone that ever read anything about Leonardo da Vinci should view Domoretsky’s Discoveries.
http://www.lionardofromvinci.com
Thanks for this,
KT